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Roger Catlin of the Hartford Courant observed the film "is at once a little more true to the original, but also, at half the time, rushed.
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I could say it's the worst movie I've seen in some time, but I'd prefer to say it's the best at being not good."
And while I wouldn't watch Sybil a second time, it was raucous, nostalgic fun. In Newsweek, Joshua Alston said the film "has the infectious scrappiness of a community-theater troupe, one that isn't that great, but has enough conviction to make up for its lack of self-awareness. The problem is the almost breakneck pace which requires that all emotional nuance be jettisoned in favor of showing the range of the personalities." Lange's Wilbur is unflinching and unflappable, with equal parts compassion and ambition, empathy and bitterness, while Blanchard is a marvel of physical and vocal elasticity, changing into 16 people, often several in the same conversation. It's essentially a two-woman play, and these particular women do the absolute best they can with what is given them. is told at such high speed that it becomes more psychiatric variety show-for our next number, Sybil as a boy!-than the careful excavation of a mind through the life-changing relationship of patient and doctor, which made the original so unforgettable. Mary McNamara of the Los Angeles Times said: "The new Sybil. She gets an A, but the viewer's investment in the story suffers." Blanchard run through her repertory of voices and facial contortions. story, so revelatory and startling when it was new, is today likely to have the feel of an acting exercise. But it is always battling that earlier Sybil.
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It is crisply told and full of powerful scenes. In his review in the New York Times, Neil Genzlinger noted: "The film has fine performances by Tammy Blanchard in the title role and Jessica Lange as the psychiatrist. The last part of the movie tells of the history of Shirley Mason, the real woman who was known by the pseudonym of Sybil Dorsett. By nightfall, Sybil claims she feels different, and emotionally declares her hatred toward her mother. Wilbur takes her patient to her home by a lake and hypnotizes her into having all 16 personalities be the same age as she and become just aspects of Sybil. Frustrating the therapist are objections raised by her associates, who suspect she has influenced her patient into creating her other selves, and Sybil's father, who refuses to admit his late wife was anything other than a loving mother.Īlthough she had promised never to hypnotize Sybil, later into the treatment, Dr. Wilbur how she shepherds the many parts of Sybil's whole. Chief among them is Victoria, a French woman who explains to Dr. Wilbur helps her recall a childhood in which she suffered physical, emotional, and sexual abuse at the hands of her disturbed mother Hattie.Įventually, 16 identities varying in age and personal traits begin to emerge.
As her treatment progresses, Sybil confesses that she frequently experiences blackouts and cannot account for large blocks of time. Atcheson, a colleague who believes that the young woman is suffering from female hysteria. Troubled Columbia University art student and later student teacher Sybil Dorsett is referred to psychiatrist Cornelia Wilbur by Dr. The film was released in Italy, New Zealand, the Dominican Republic, Brazil, Norway, and Hungary before finally being broadcast in the US by CBS on June 7, 2008.
In January 2006, The Hollywood Reporter announced CBS had greenlit the project, but it was shelved after completion. The university scenes were filmed at Dalhousie University in Nova Scotia. This is the second adaptation of the book, following the Emmy Award-winning 1976 mini-series Sybil that was broadcast by NBC.
Sybil is a 2007 American made-for-television drama film directed by Joseph Sargent, and written by John Pielmeier, based on the 1973 book Sybil by Flora Rheta Schreiber, which fictionalized the story of Shirley Ardell Mason, who was diagnosed with multiple personality disorder (more commonly known then as "split personality", now called dissociative identity disorder). 2007 film directed by Joseph Sargent Sybil